"Legit" - Nico Caldwell (A good friend of mine)


Have you ever wondered why we need to learn classical music if we're interested in learning music? And we need to dive into this world of "nonsense" in our urban or modern definition on how music should sound like? Of course, "Wolfgang Amadeus Mozart", will be in at least one of the power point slides from your instructor. You're not just required to listen to his compositions, like, Eine Kleine Natchtmusik, First Movemens of Symphonies 25 & 40, or Piano Sonata movement "Alla Turca", but you need to dig in his biography. Where he was born, who his father was, when did he start touching piano, what kind of early education he had, etc.

Early in a morning before heading out to have breakfast with Endo for his birthday, I watched "Amadeus", a Milos Forman directed movie , screenplay by Peter Shaffer, and fantastic cast led by F. Murray Abraham playing Antonio Salieri and Tom Hulce playing Wolfgang Mozart. It blew me away! Now, I could get a glimpse, may be, the reasoning behind those "nonsense" biography work. Or why people still use his works nowadays to speak elaborately about arts or even..........commercials??


You need to be personal in your art work. Mozart didn't grab all the music notes and put them down in music sheets. It's coming from deep within himself. Who was "himself"? That's why we study his history to understand who Mozart was in order to understand his music.

One of the best scenes in the movie for me -

The music swells. We see Salieri standing alone in the back of a box, unseen, in
semi-darkness. We also see that the theatre is only half full. Music fades down.

OLD SALIERI
(V.O.)
And I knew - only I understood - that the horrifying apparition
was Leopold (Wolfgang's father), raised from the dead. Wolfgang had actually
summoned up his own father to accuse his son before all the
world. It was terrifying and wonderful to watch.

Music swells up again. We watch the scene on stage as the Commendatore ad-
dresses Giovanni. Then back to Salieri in the box. Music down again.

It was a fantastic and thrilling piece! It brought me to the edge of my seat that I was really into the scene. The music he composed for this opera was dark and convoluted in a beautiful way expressing his feelings about the death of his father. There are more scenes in the movie explaining on how he was inspired to composed greatest classical music numbers.

Kudos to Shaffer and Forman for such a brilliant story. They tell the story from a perspective that no one could have thought and it is the best point of view to convey a story about one of the greatest artists in humankind history, which is rich with various aspects of humanity, like Sarieli says "I heard the music of true forgiveness filling the theater, conferring on all who sat there, perfect absolution. God was singing through this little man to all the world, unstoppable, making my defeat more bitter with every passing bar."

Think about why we still take Mozart's music into our lives, especially for those studying arts (what kind of authority I have to pose such question when I'm an actuarial science student? ;-) )


oh yeah.."What a scandal.....What a COMEDY!...."

...beloved and sweet land (country) of mine

Have you ever felt certain songs will bring you to certain memories or moments?
Well, this song reminds me of plenty of memories. Now that I just found the meaning of the words, it magically makes more sense related to the memories. Especially, now, when it's getting closer to going back home.

*I did post this song before with a different subject matter*

Italia
Andrea Bocelli & Chris Botti


E passione forte che mi fa soffrire per amore
Ogni volta che io mi allontano so
che noi ci apparteniamo ancora un po di piu.
La strada dove io bambino restero
Dentro a questi sogni di musica
Libero di vivere la vita che vorrei.
La mia musica e per te immenso amore mio
questa melodia nasce dentro me sempre piu
la nostalgia che ho di te amore e dolce terra mia.

And now for those who don't speak the Italian language:

It's strong passion that makes me suffer for love
Each time I go away I know
that we belong to each other a little more.
The way I'll always stay (be) a child
Inside these dreams about music
Free to live the life that I want.
My music is for you great love of mine
this song makes me feel more and more
the nostalgia I have for you beloved and sweet land (country) of mine.

It's a story of two love affairs.

Hah! Soooooooooo good!




...and I kind like this song..

All over the places.

Rebecca G. Bryant, a brilliant dancer, choreographer and thinker! here at Purdue Dance Department, told me to post this in my blog when she saw me writing down random stuff in my notebook. Hamlet is getting "crazier", Purdue Dance Co. is getting more intense, Actuarial Model II is making me memorizing more and more formulas everyday, Advanced Stage Movements is pulling me down into my mind and heart searching the "truths". Here are stuff I wrote since last week:

"The song of sparrows
Little Ashes

Owen Pallett
He poos clouds

DV8 physical theater

Douglas Sirk
Tsai Ming Liang <-- Malaysian?
Francois Truffaut

Abdellah Taia's Salvation Army
Brideshead Revisited

Bright Star

Mike Bartlet's Cock
Alexi Kaye Campbell's The Pride

When I was a little kid, my mom always told me that I could go play wherever I want to but do not to come back home before the sun goes down.
The door would be shut and there was no way in.

I stepped outside of my house,
Going to the place where I've been dreaming to go to, doing things I want to do, chasing dreams I've been having since day I could remember, being on the top and the bottom in different kind of games.

Sitting on a bench. Over nice warm spring.
Could be with a lover lying on his lap.
Flashbacks 1st day coming to Purdue. Meeting his lover.
Looking at the sun.
Turn back to the crowd of Malaysians. Picnic. Laughing. Close up happiness."

Le fils de l'épicier (The Grocer's Son)

It has become one of all time favorite films.

A charismatic actor

Often as audience we get confused on actors acting abilities. I adore Katherine Heigl in Grey's Anatomy but NEVER on any of her cinematic works. I think Sally Field was fantastic in Places in the Heart but she's not my favorite as Nora Walker in Brothers & Sisters.
So, as casting agent, director, and producer, how to choose?
Let me paraphrase Yasmin Ahmad -

"How am i gonna choose an actor or actress? I just choose somebody who were born with these "things". I just choose them and I can't take credits from it. And I have to step back as a film director and let people be wonderful. If they're wonderful, take them. If the character you have written, which is pure imagination doesn't suit them, you change it so it suits them because they are God creations. And they are blessed with these things. Who are you? You've just written a semi-fictional character."

And I saw Equus on Broadway with Daniel Radcliffe in it. As much as I've seen him in as Harry Potter or Maps in December Boys or John Kipling in My Boy Jack, this is the closest to his 'natural' personality that I could see in Equus, after all, it's THEATER!






You can watch more here.

One of a hundred reasons

One of a hundred reasons why I am obsessed with, interested in, crazy about Grey's Anatomy is Sarah Ramirez. A two-time Tony award winner, Sara is an amazing stage artist. Shona Rhimes really knows exactly the fictional characters she has in mind in projecting Ramirez's remarkable abilities.

Singing Silent Night beautifully in this scene accompanying Bailey's powerful monologue.

A fierce star moment

And, yes, a true performer.
Did I mention that she graduated from Julliard?